The second edition of the Nigerian domiciled Universal Movie Awards (UNIMA) is scheduled to hold in Lagos on November 26.
Founder and President of the yearly international award,
Hope Obioma Opara, disclosed that UNIMA is geared towards presenting a platform
through which the Nigerian film industry Nollywood will host filmmakers all
over the world.
“The primary vision of UNIMA is to add value and
creatively enrich the entertainment industry through excellent work in film and
television,” Opara said, adding that the 2022 edition will feature some
activities such as workshops, a master class and industry interactive session proceeding
the awards night.
“The workshops will engage young men and women in more
meaningful ways to look inside themselves to rediscover their potential. We are
looking forward to having in attendance foreign invitees including members of
the diplomatic corps, our Nollywood film industry practitioners and all the
nominees in different categories and other local invitees. We also look forward
to partnerships with the government and corporate organizations, who can
leverage our platform to showcase their products and bring brand loyalty to
their organization.” At the first edition held in 2021, filmmakers from
different countries around the globe won awards.
“The movie from Nigeria Voiceless by Robert Peters won the Best picture and best director, others are movies from USA Ghana, Kenya, Cameroun, Brazil, Russia, Zambia and Best TV Commercial Awards,” Opara disclosed, adding, “UMA is currently receiving entries for the different categories of the 2022 edition. The categories are Feature & Short Film. Feature and Short Documentary, Foreign Language & Indigenous Film (Subtitled in English), Best TV Commercial.”
The Berlin International Film Festival is dismayed
and outraged to hear of the arrest of another Iranian filmmaker. On Monday, the
renowned and multiple award-winning director Jafar Panahi was arrested. Jafar
Panahi’s films have been shown at the Berlinale many times, and in 2015, his
film Taxi was awarded the Golden Bear. Panahi was arrested when he sought to inquire
with the prosecutor‘s office about the directors Mohammad Rasoulof and Mostafa
Al-Ahmad, who were arrested on July 9. A critic of the Iranian government,
Jafar Panahi has been the victim of repression for many years.
“The arrest of Jafar Panahi is another
violation of freedom of expression and
freedom of the arts. We ask the Iranian authorities to release the detained
filmmakers immediately,” say the Berlinale directors Mariette Rissenbeek
and Carlo Chatrian.
LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 397 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures.
Membership selection is based on professional qualifications, with an ongoing commitment to representation, inclusion and equity remaining a priority. The 2022 class is 44% women, 37% belong to underrepresented ethnic/racial communities, and 50% are from 53 countries and territories outside the United States. There are 71 Oscar® nominees, including 15 winners, among the invitees.
Four individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership.
Those who accept the invitations will be the only additions to the Academy’s membership in 2022.
The
2022 invitees are:
Actors
Funke Akindele – “Omo Ghetto: The Saga,” “Jenifa”
Caitríona
Balfe – “Belfast,” “Ford v Ferrari”
Reed
Birney – “Mass,” “Changeling”
Jessie
Buckley – “The Lost Daughter,” “I’m Thinking of Ending Things”
Lori
Tan Chinn – “Turning Red,” “Glengarry Glen Ross”
Daniel K. Daniel – “The Fugitive,” “A Soldier’s Story”
Ariana
DeBose – “West Side Story,” “The Prom”
Robin
de Jesús – “tick, tick…BOOM!,” “The Boys in the Band”
Jamie
Dornan – “Belfast,” “Barb & Star Go to Vista Del Mar”
Michael
Greyeyes – “Wild Indian,” “Woman Walks Ahead”
Gaby
Hoffmann – “C’mon C’mon,” “Wild”
Amir
Jadidi – “A Hero,” “Cold Sweat”
Kajol
– “My Name Is Khan,” “Kabhi Khushi Kabhie Gham…”
Troy
Kotsur – “CODA,” “The Number 23”
Vincent
Lindon – “Titane,” “The Measure of a Man”
BarBara
Luna – “The Concrete Jungle,” “Five Weeks in a Balloon”
Aïssa
Maïga – “The Boy Who Harnessed the Wind,” “Mood Indigo”
Selton
Mello – “My Hindu Friend,” “Trash”
Olga
Merediz – “In the Heights,” “Adrift”
Sandra
Kwan Yue Ng – “Echoes of the Rainbow,” “Portland Street Blues”
Hidetoshi
Nishijima – “Drive My Car,” “Cut”
Rena
Owen – “The Last Witch Hunter,” “The Dead Lands”
Jesse
Plemons – “The Power of the Dog,” “Judas and the Black Messiah”
Sheryl
Lee Ralph – “Sister Act 2: Back in the Habit,” “The Distinguished Gentleman”
Renate
Reinsve – “The Worst Person in the World,” “Welcome to Norway”
Marco
Rodriguez – “El Chicano,” “Unspeakable”
Joanna
Scanlan – “After Love,” “Notes on a Scandal”
Kodi
Smit-McPhee – “The Power of the Dog,” “Let Me In”
Suriya
– “Jai Bhim,” “Soorarai Pottru”
Anya
Taylor-Joy – “The Northman,” “Last Night in Soho”
Casting Directors
Rich
Delia – “King Richard,” “The Disaster Artist”
Elodie
Demey – “Happening,” “Summer of 85”
Yngvill
Kolset Haga – “The Worst Person in the World,” “One Night in Oslo”
Louise
Kiely – “The Green Knight,” “Sing Street”
Meagan
Lewis – “Blast Beat,” “Free State of Jones”
Karen
Lindsay-Stewart – “Marie Antoinette,” “Harry Potter and the Sorcerer’s Stone”
Juliette
Ménager – “A Bag of Marbles,” “As Above/So Below”
Kate
Ringsell – “The Lost City of Z,” “Justice League”
Toby
Whale – “Dunkirk,” “The History Boys”
Cinematographers
Ava
Berkofsky – “The Sky Is Everywhere,” “Free in Deed”
Josh
Bleibtreu – “Dark Phoenix,” “Shazam!”
Alice
Brooks – “In the Heights,” “tick, tick…BOOM!”
Daria
D’Antonio – “The Hand of God,” “Ricordi?”
Mike
Eley – “The Duke,” “Woman Walks Ahead”
Sturla
Brandth Grøvlen – “The Innocents,” “Another Round”
Ruben
Impens – “Titane,” “Beautiful Boy”
Shabier
Kirchner – “Small Axe,” “Bull”
Martin
Ruhe – “The Tender Bar,” “The Midnight Sky”
Kasper
Tuxen – “The Worst Person in the World,” “Riders of Justice”
Costume Designers
Joan
Bergin – “The Prestige,” “In the Name of the Father”
Antonella
Cannarozzi – “A Five Star Life,” “I Am Love”
Andrea
Flesch – “Midsommar,” “Colette”
Lizzy
Gardiner – “Hacksaw Ridge,” “The Adventures of Priscilla, Queen of the Desert”
Dorothée
Guiraud – “Murder Party,” “French Tech”
Suzie
Harman – “The Personal History of David Copperfield,” “Extinction”
Tatiana
Hernández – “The Japon,” “Lope”
Louise
Stjernsward – “Made in Italy,” “The Mercy”
Elisabeth
Tavernier – “The Man in the Basement,” “Tanguy Is Back”
Paul
Tazewell – “West Side Story,” “Harriet”
Mitchell
Travers – “The Eyes of Tammy Faye,” “Hustlers”
Directors
Newton Aduaka – “One Man’s Show,” “Ezra”
Andrew
Ahn – “Fire Island,” “Spa Night”
Bruno
Villela Barreto – “Four Days in September,” “The Kiss”
Mariano
Barroso – “Ants in the Mouth,” “Ecstasy”
Rolf
de Heer – “Charlie’s Country,” “Bad Boy Bubby”
Jeferson
Rodrigues de Rezende – “The Malê Revolt,” “Bróder!”
Pawo
Choyning Dorji* – “Lunana: A Yak in the Classroom”
Blessing Egbe – “African Messiah,” “Iquo’s Journal”
Briar
Grace-Smith – “Cousins ,” “Waru”
Reinaldo
Marcus Green – “King Richard,” “Monsters and Men”
Ryusuke
Hamaguchi* – “Drive My Car,” “Wheel of Fortune and Fantasy”
Sian
Harries Heder* – “CODA,” “Tallulah”
Gil
Kenan – “City of Ember,” “Monster House”
Amanda
Kernell – “Charter,” “Sami Blood”
Mary
Lambert – “The In Crowd,” “Pet Sematary II”
Blackhorse
Lowe – “Chasing the Light,” “5th World”
Nalin
Pan – “Last Film Show,” “Samsara”
Jonas
Poher Rasmussen* – “Flee,” “Searching for Bill”
Isabel
Sandoval – “Lingua Franca,” “Apparition”
Amy
Seimetz – “She Dies Tomorrow,” “Sun Don’t Shine”
Mary
was born deformed; it took eighteen years of plastic surgery to build her a
face.
She
changed her name and place after each surgery, and when she was ready to start
a new life, fate came up with a proposal that brought Heaven and Hell to her
threshold.
A
pregnant virgin with a fire breathing dragon in her womb as the count to nine
month is the count to Dooms Day.
When Nigeria was governed on the basis of tribe Northern
(Hausa), Western (Yoruba) and Eastern (lgbo) regions and the colonial Lagos
older than Nigeria itself was being claimed as a part of the Yoruba Westem
region, by virtue of its location and Yoruba origin with reference to its Benin
(Edo) royalty as far back as late 17th century and the American and Caribbean
ongins of the descendants of the Ologbowo and the Popo Aguda (Brazilian)
returnees of the 1840s. of course, original Lagosians of the time challenged
the Lagos belongs the West theory; successfully proved the independence of the
old Lagos (gede be L’ eko wa) not only
stopped the attempt to merge Lagos with Westem
Nigena but also got Lagos State as one of the first twelve states of Nigeria
created in 1967
Since 1967, cosmopolitan Lagos has moved from
being the capital of Nigeria to a mega city of excellence which now sets the
pace of political, social and economical development more than it has ever done
in the past. This is because, the ongin of Lagos has been influenced by mot
only the (Idejo) chieftaincy, the Benin (Edo) Oba Ado royalty, the civilized
and educated Saro (Olowogbowo) and Brazilian (Popo Aguda) returnees of the
1840s, the Tapa (Bida/Nupe), the Black Americans and the Caribbean (artisans of
the early 19″ century Lagos). These lots constitutes the force that built
up Original Lagos (Eko Akoko) before the cessation of the colony of Lagos to
the British crown in 1861, long before the creation of the British protectorate
of Nigeria in 1914.
The original Lagosians established family
compounds and business centres as far back as early 17th century, e.g Iga
Aromire, Iga Iduganran, and the agboles (compounds) of the four original
settlements Isale Eko, Olowogbowo, Oko Faji and Popo Aguda. These settlements
of Lafiaji/lkoyi, Ebute Meta/Yaba were added during the colonial days.
By virtue of the above stated, original Lagos
(Eko Akoko) produced Nigeria’s first modern day professionals such as lawyer
Sapara-Williams (1880), Doctor J. K. Randle, Engineer Herbert Macaulay,
Journalist Kitoyi Ajasa, Chartered Accountant Akintola Williams e.t.c all of
them from the early Olowogbowo settlements.
In my own opinion, those who fabricate the very
recent theory that Oba Ashipa was a Yoruba from lsheri instead of a Benin
Prince from the Oba of Benin (Edo State) were mischievously, politically
motivated to historically confirm the story of politicians of the 1940s who
claim that Lagos belongs to the West; Yoruba/West of the regional Nigeria. The
then Lagos politicians of the Action group Party controlled Western Nigeria
went as far as to claim that some well known families of Lagos originated from
Oyo, Ekiti, Ijebu, Egba, ljesha etc. in order to qualify them for membership of
the Western Nigeria house of assemble or the Nigerian senate needless to say
some got their fingers burnt when they were challenged by indigenes of the
cities claimed in the 1940s.
It is very ridiculous to hear some academic
historians challenge the historical Igbe songs of our innocent ancient Oloris
(wives) of the Royal Houses just to please their political masters. Their types
have been earlier exposed by the scriptures.
May I however conclude this piece, by reference
to the fact that ‘facts are sacred while falsehoods are Satanic and Perishable’.
As a direct descendant of Oba Akinsemoyin of
Lagos, I feel obliged to write this piece on original Lagos (Eko Akoko) in
order to confirm the history of Royalty in Lagos
Signed:
Ademola Oladega Akinsemoyin
Esan People Blog
After 11 days of an exceptional edition, the Jury of the 75th Festival de Cannes, chaired by French actor Vincent Lindon, surrounded by Iranian director Asghar Farhadi, British-American actress and director Rebecca Hall, French director Ladj Ly, American director Jeff Nichols, Indian actress Deepika Padukone, Swedish actress Noomi Rapace, Norwegian director Joachim Trier and Italian actress and director Jasmine Trinca, presented its winners’ list among the 21 films presented in Competition this year.
Feature Films Palme D’or
TRIANGLE OF SADNESS directed by Ruben ÖSTLUND
Grand Prix (jointly awarded)
CLOSE directed
by Lukas DHONT
STARS AT NOON
directed by Claire DENIS
Award For Best Director
PARK Chan-Wook for HEOJIL KYOLSHIM (DECISION TO LEAVE)
Award for Best Screenplay
Tarik SALEH for WALAD MIN AL JANNA (BOY FROM HEAVEN)
Jury Prize (Jointly Awarded)
EO directed by Jerzy SKOLIMOWSKI
LE OTTO MONTAGNE (THE EIGHT MOUNTAINS) directed by Charlotte VANDERMEERSCH & Felix VAN GROENINGEN
75th Anniversary Prize
TORI ET LOKITA (TORI AND LOKITA) directed by Jean-Pierre & Luc DARDENNE
Award for Best Actress
Zar AMIR EBRAHIMI in HOLY SPIDER
Directed by Ali ABBASI
Award For Best Actor
SONG Kang-ho in
BROKER
Directed by
KORE-EDA Hirokazu
Short Films Palme D’or
HAI BIAN SHENG QI YI ZUO XUAN YA (THE WATER MURMURS) directed by JIANYING CHEN
Special Mention
LORI (MELANCHOLY
OF MY MOTHER’S LULLABIES) directed by Abinash Bikram SHAH
Un Certain Regard Un
Certain Regard Prize
LES PIRES (THE WORST ONES) directed by Lise AKOKA & Romane GUERET
Jury Prize
JOYLAND directed by Saim SADIQ
Best Director Prize
Alexandru BELC for METRONOM
Best Performance Prize (Jointly Awarded)
Vicky KRIEPS in
CORSAGE directed by Marie KREUTZER
Adam BESSA in HARKA directed by Lotfy NATHAN
Best Screenplay Prize
MEDITERRANEAN FEVER directed by Maha HAJ
« Coup De Cœur » Prize
RODEO directed by Lola QUIVORON
Caméra d’or
WAR PONY
directed by Riley KEOUGH and Gina GAMMELL,
presented as part of the UN CERTAIN REGARD Official Selection
Special Mention
PLAN 75 directed by HAYAKAWA Chie
La Cinef
First Prize
IL BARBIERE
COMPLOTTISTA (A Conspiracy Man) directed by Valerio FERRARA
Centro Sperimentale di Cinematografia, Italie
Second Prize
DI ER
(Somewhere) directed by LI Jiahe
Hebei University of Science and Technology School of Film and Television, Chine
Joint Third Prize
GLORIOUS
REVOLUTION directed by Masha NOVIKOVA
London Film
School, Royaume Uni
LES HUMAINS SONT
CONS QUAND ILS S’EMPILENT (Humans Are Dumber When Crammed up Together) directed
by Laurène FERNANDEZ
La CinéFabrique, France
Higher Technical
Commission (CST)
The CST jury has awarded the CST ARTIST-TECHNICIAN AWARD 2022 to the entire sound crew headed up by Andréas Franck, Bent Holm, Jacob Ilgner and Jonas Rudels for the film TRIANGLE OF SADNESS by Ruben Östlund and the CST Young Film Technician Award to Marion Burger, head set designer for the film UN PETIT FRÈRE (MOTHER AND SON) by Léonor Serraille.
The
National Film Authority of Ghana signed a landmark partnership agreement with
Pixel Ray Studios LLC which will lead to the construction of a full-service
world class film studio in West Africa.
Pixel
Ray Studios, a global television and film studio development and production
company, has solidified a partnership with the National Film Authority of Ghana
to construct 10 sound stages on over 200 acres of property in Ghana. In
addition to the sound stages, the multi-use facility will include
state-of-the-art production space and equipment, as well as post-production
suites with globally trained and locally based crew to serve all production
needs. The premier studio will have an estimated 150,000 square feet of
production space.
As
part of the agreement, the National Film Authority will develop and implement
the legal framework and regulation for the creation and nurturing of the growth
and development of the Ghanaian and African film industry through the
distribution, exhibition, and marketing of films and associated visual and
audio content.
The
establishment of Pixel Ray Studios in Ghana is a testament to the company’s
expansive experience in production, distribution, and entertainment. Pixel Ray
founders include entertainment entrepreneur Audu Maikori, ESQ (Founder,
Chocolate City Group), Franklin “Twizz” David (Chairman, Twizz Talent
Management), Ojoma Ochai (Managing Partner of The Creative Economy Practice at
CcHUB), and Hollywood Production & Development Executive Danielle Johnson.
Esteemed Pixel Ray Board members include Oronde Garett (Partner at M88), Tamara
Houston (ICONN Man) and Content and catalogue Executive Fotemah Mbah.
As
announced at this year’s Africon, a multi-day conference featuring top tier
movers and shakers in the diaspora, hosted by Amplify Africa, the studio will
offer state-of-the-art production and post-production services to local
Ghanaian, African and international film and content producers; entertainment
for local and international tourists through activities such as set visits; and
visual and audio effects and animation services to local and international
films (scripted and unscripted content, films, TV series, commercials, OTT
content, podcasts, and music videos).
Witnesses
to this momentous declaration made at the “Investing in Africa’s Future” panel
included Travis Adkins, President and CEO of United States African Development
Foundation; Isaac Kigozi, Head of Trade and Investment Office of the President
of the Republic of Uganda; and Temwa Gondwe Senior Manager, Intra-African Trade
Initiative (Trade Facilitation) at African Export and Import.
The
project is estimated to create about 11,000 jobs for the local economy.
Partners include Chocolate City Group, REG Entertainment LLC, and Matt
Rauchberg Consulting.
“This partnership is timely as Ghana positions
itself as a film hub, a friendly shooting destination, and a cinema gateway to
Africa. Earlier in the year, the National Film Authority (NFA) of Ghana
launched the ‘SHOOT IN GHANA PROJECT’ to enhance the agenda by promoting Ghana
as an ideal location for film productions and attracting the international
filmmaking community to make films in Ghana. Ghana has great locations, it is
very safe, and it costs relatively less to shoot in Ghana than in many other countries.
Ghana is the second-largest producer of films on the African continent,
according to the UNESCO 2021 report. As the Africa Continental Free Trade
Agreement (AFCFTA) headquarters, it is just right that Ghana opens its doors to
the world of movie makers.” said National Film Authority CEO, Ms. Juliet Yaa
Asantewa Asante.
Audu
Maikori, Co-Founder of Pixel Ray Studios, comments, “I am honoured to be part
of this team. Over the last twenty years, I have worked to promote African
content and entertainment through Chocolate City, one of Africa’s foremost
360-degree media and entertainment companies comprising a record label,
marketing agency, and talent management company, which I co-founded in Nigeria
in 2015. I’ve always dreamt of creating even more avenues to tell our unique
African/Black and Caribbean stories by providing the critical infrastructure
that will create jobs, hone skills, and tell our side of the story. Pixel Ray
Studios and our partnership with the NFA provides a platform for that.”
“It’s
so surreal to see the project signed and come to life. There is such a need for
additional production infrastructure in the global storytelling ecosystem, and
I am confident that before long, the studio will become a prominent fixture in
this evolving landscape of African and global storytelling,” added Co-Founder
Franklin “Twizz” David.
‘’Black
and African narratives, more than ever, need to be seen and heard. It is a huge
privilege to be part of the project,” says Ms. Ojoma Ochai. ”This project will
provide the infrastructure to enable the production and visibility of projects
while offering globally competitive infrastructure and talent in a part of the
continent known for its deep culture and commitment to championing black and
African heritage”.
Stated
Oronde Garret, “I’m happy to support the development of this groundbreaking
studio in Ghana. It has become evident to me that we must illuminate and
celebrate the diversity of the diaspora, and what better way to do it than by
creating a space devoted to telling our stories.”
ABOUT
THE NATIONAL FILM AUTHORITY
National
Film Authority (NFA) is a government agency in Ghana mandated under the
Development and Classification of Film Act 935 to regulate, develop and
streamline the film sector in Ghana. The NFA’s short-medium term strategic goal
is to position Ghana as a film hub and an attractive shooting destination on
the continent for productions globally, while raising the level and value of
local productions to meet international standards.
ABOUT
PIXEL RAY STUDIOS
Pixel
Ray Studios is a multimedia and content production company focused on building
the first-ever black-owned film production franchise on the continent of Africa,
which will serve both local
production needs and cater to Hollywood and other international markets. The studio provides an audio-visual/multimedia training academy covering film, TV, gaming, animation, and virtual and augmented reality, creating a franchise of sound stages for underrepresented places in Africa.
African
Movie Channel has signed a channel carriage deal with DistroScale to have its
first FAST channel, Nolly Africa HD on the DistroTV platform for broadcast
worldwide.
DistroTV, operated by parent company DistroScale, is available for free across a wide array of CTV and mobile devices, including Roku, Amazon Fire TV, Apple TV, Google TV, LG TV, Samsung TV, Sony TV, iOS, and Android, as well as on the DistroTV https://www.distro.tv/
‘Yinka
Mayungbo, African Movie Channel’s Director commented, “Nolly Africa HD is
not your typical quick and cobbled together FAST channel; it was built the AMC
way – like our two premium Pay TV channels AMC and AMC Series, Nolly Africa HD
is sleek, polished, and of course, premium television, and it’s HD. We are
delighted to partner with DistroTV, one of the most prominent players in the
FAST space, to bring the magnetizing world of Nollywood to the homes of
millions.”
Nolly
Africa HD is a premium 24-hour African movies and series channel, showing
carefully curated English language Nollywood movies, series, talk shows and
reality productions, including from AMC’s own original productions division,
AMCOP.
“With
now more than 200 channels in our content library, we are on a mission at
DistroTV to provide engaging, stimulating, entertaining content that appeals to
our diverse and growing audience,” said Navdeep Saini, co-founder and CEO
of DistroScale, parent company of DistroTV. “As a part of our latest
regional channel bundle, Nolly Africa HD does just that. We are thrilled to
welcome them to the DistroTV family, and look forward to continuing to expand
our viewership to new regions as we grow and evolve.”
Nolly
Africa HD is available on Nigeria’s Free TV on channel 722, the Airtel TV
platform in Kenya, Tanzania, Uganda, Zambia, and Nigeria, Freeview UK channel
271, Kapang channel 520 in the UK and US, and now DistroTV channel 413.
Nolly
Africa HD is wholly owned and powered by African Movie Chan