Watch the full movie ‘IN THE COLD’ on a YOUTUBE Channel:“IN THE COLD” – The Untold Story of Parental Neglect & Bullying That Will Leave You Speechless. Click link to watch https://youtu.be/eP7BQpGfy78 In a world where silence cuts deeper than words, IN THE COLD reveals the chilling journey of a Continue reading Watch the full movie ‘IN THE COLD’ on a YOUTUBE Channel→
The 77th Festival de Cannes is open!:“You may not be aware of this, but you are about to enter a parallel universe called the Cannes Vortex.” Camille Cottin was already on stage at the Grand Théâtre Lumière when lights went on for this 77th edition of Continue reading The 77th Festival de Cannes is open!→
IGUAZU WATERFALLS AND THE MOVIE BLACK PANTHER:The gorgeous Iguazu Falls, located at the Argentina-Brazil border. Coupled with the brilliance of Marvel Studios, the gigantic waterfall makes the place a worthy backdrop for such a grand superhero film Was the waterfall in Black Panther real? Footage for Continue reading IGUAZU WATERFALLS AND THE MOVIE BLACK PANTHER→
ETHNIC BIGOTRY & XENOPHOBIA AGAINST THE IGBOS IN NIGERIA:*The crime of that tribe must be so great.* In 1966: Nearly 1,000,000 of them was massacred in the North as revenge killings for a coup that was plotted by a young man that bears their name but had never Continue reading ETHNIC BIGOTRY & XENOPHOBIA AGAINST THE IGBOS IN NIGERIA→
CANON/EKO INTERNATIONAL FILM FESTIVAL 2022 FILM INDUSTRY WORKSHOP:
The Short Films and La Cinef Jury presided by Lubna Azabal and comprised of Marie-Castille Mention-Schaar, Paolo Moretti, Claudine Nougaret and Vladimir Perišić has awarded the 2024 La Cinef Prizes today during a ceremony held in the Buñuel Theatre, followed by the screening of the winning films. La Cinef consisted of 18 student films, chosen out of 2 263 entries coming from 555 film schools around the world.
First Prize
SUNFLOWERS WERE THE FIRST ONES TO KNOW…
Chidananda S Naik
FTII, Pune, India
Joint Second Prize
OUT THE WINDOW THROUGH THE WALL
Asya Segalovich
Columbia University, United States
THE CHAOS SHE LEFT BEHIND
Nikos Kolioukos
Aristotle University of Thessaloniki, Greece
Third Prize
BUNNYHOOD
Mansi Maheshwari
NFTS, United Kingdom
Awards
The Festival de Cannes allocates a €15,000 grant for the First Prize, €11,250 for the Second and €7,500 for the Third.
At the Plage des Palmes, the Jury of the Immersive
Competition of the 77th Festival de Cannes awarded the prize for Best Immersive
Work, presenting one winner among the 8 in-competition virtual reality,
augmented reality, video projection and holographic works.
The Jury, chaired by French filmmaker and screenwriter
Marie Amachoukeli, included French writer, director and producer Mathias
Chelebourg, American producer, writer, and director Vassiliki Khonsari, Israeli
filmmaker Uri Kranot, and New Zealand and American filmmaker Raqi Syed.
The Award was presented to Colored created by Tania de Montaigne, Stéphane Foenkinos, Pierre-Alain Giraud.
For its inaugural year, more than 3000 tickets were
booked by Festival attendees to experience this new movement taking place at
the 77th Festival de Cannes.
The selected works – En amour, Evolver, Human Violins:
Prelude, Maya: the Birth of a superhero, Noire, TELOS I, The Roaming and
Traversing the Mist – each used a variety of technologies and techniques to pave
the way for new methods of storytelling.
“With the Immersive Competition, the Festival de Cannes
is showcasing a new art form that draws in part on the heritage of cinema. This
approach is in line with our desire to explore new stories and new experiences.
This is not the first time the Festival de Cannes has exhibited an immersive
work. In 2017, Alejandro González Iñárritu’s Carne y Arena was presented in the
Official Selection, and it was a great success. Today the medium is more mature
and we’re once again pioneering our approach, offering immersive art pride of
place at the Festival, with a selection of 8 works in competition and an awards
ceremony hosted by an international jury,’ says Thierry Frémaux, General
Delegate of the Festival de Cannes.
“The Immersive Competition is a continuation of the original values of the Festival, exploring new stories with the new tools available,” says Elie Levasseur, Immersive Competition Project Director.
Explore
the business of film with The Durban FilmMart Institute at the Durban FilmMart
The
business of film is not just a cultural pursuit for artists and auteurs – it is
big business. In 2021, the National Film and Video Foundation projected that
the film industry would contribute R7,18 billion to the local economy.
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is not an industry to be entered into lightly. Traditional models of film
financing, producing, marketing and distributing, and revenue collection have
been radically redefined with the emergence of streaming services and social
media content creators. This has lowered the barriers to entry, opened the
market to new players and spurned a second growth cycle through increased
innovation. As traditional production studios compete against content creators
for audience attention, the market is open for innovative approaches to film
financing, production and distribution.
Fuelling
this opportunity is a global demand for African content. As Africans in the
diaspora become both more economically stable, and more homesick, there is an
increasing call for authentic African stories from an audience able and willing
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This
creates lucrative opportunities for businesses outside the traditional film
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DFM’s
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Accountability,” takes place in Durban from 19 – 22 July 2024. A range of
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Early Bird registration for participation is now open until 31 May. For more information and to register, visit: https://durbanfilmmart.co.za/
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“Wedlock of the Gods” by Zulu Sofola is a
compelling Nigerian play that delves deep into the cultural and societal
intricacies of traditional African communities. Written by one of Nigeria’s
most prolific female playwrights, the play is an exploration of love, duty, and
the tragic consequences of defying societal norms.
Set in a traditional Nigerian village, the story
centers around Ogwoma, a young widow who wishes to marry her true love, Uloko,
against the customs that dictate she must marry her deceased husband’s brother.
Sofola masterfully portrays the tension between individual desires and societal
obligations, highlighting the struggles faced by women in a patriarchal
society.
One of the strengths of the play is its rich
depiction of African culture and traditions. Sofola’s background as a scholar
of African drama is evident in her authentic representation of ritual practices
and community dynamics. The use of indigenous language and proverbs enriches
the narrative, providing a deep sense of place and authenticity.
The characters are well-developed, each representing
different facets of the conflict between tradition and change. Ogwoma is
portrayed with a blend of vulnerability and strength, making her plight deeply
moving. Uloko’s passion and defiance contrast sharply with the rigid adherence
to customs embodied by other characters like Adigun, Ogwoma’s brother-in-law.
Sofola’s use of dramatic tension keeps the audience
engaged, building to a climax that is both inevitable and heart-wrenching. The
themes of love, sacrifice, and the clash between modernity and tradition are
universally resonant, making the play relevant to audiences beyond its African
setting.
However, some readers may find the play’s resolution
bleak and its commentary on societal change somewhat pessimistic. The tragic
ending underscores the harsh realities faced by those who challenge entrenched
systems, but it also raises questions about the possibility of progress within
such frameworks.
In conclusion, “Wedlock of the Gods” is a powerful and evocative work that offers a poignant look at the complexities of love and duty within the context of traditional African society. Zulu Sofola’s insightful writing and deep cultural knowledge make this play a significant contribution to African literature and a must-read for those interested in understanding the interplay between tradition and change. Just my own view oh .
Tolulope
Reviewed by Tolulope Damilola Odebunmi. Actor at Nollywood Movies
Canon develops Electro-Optical System (EOS) R1 as first flagship model for EOS R SYSTEM New image processing system further improves Auto Focus (AF) and image quality
The EOS R1 is a mirrorless camera geared toward professionals that brings together Canon’s cutting-edge technology and combines top-class performance with the strong durability and high reliability sought in a flagship model
The EOS R1 is a mirrorless camera geared toward professionals that brings together Canon’s cutting-edge technology and combines top-class performance with the strong durability and high reliability sought in a flagship model. This camera will dramatically improve the performance of both still images and video (in comparison to the EOS R3) and meet the high requirements of professionals on the frontlines of a wide range of fields including sports, news reporting, and video production.
This camera employs the newly developed image processor DIGIC Accelerator in addition to the pre-existing processor DIGIC X. The new image processing system, composed of these processors and a new CMOS sensor, enables a large volume of data to be processed at high speeds and delivers never-before-seen advancements in Auto Focus (AF) and other functions
By combining the new image processing system and deep learning technology to an advanced degree, Canon has achieved high-speed and high-accuracy subject recognition. For example, subject tracking accuracy has been improved so that in team sporting events where multiple subjects intersect, the target subject can continually be tracked even if another player passes directly in front of them. In addition, the AF “Action Priority” function recognises subject movement by rapidly analysing the subject’s status. In moments during a sports game when it is difficult to predict what will happen next, this function automatically determines the player performing a certain action, such as shooting a ball, as the main subject and instantly shifts the AF frame, thereby helping to capture decisive moments of gameplay.
The combination of the new image processing system and deep learning technology will help to improve image quality. Canon implements the image noise reduction function, which has been previously developed and improved as part of the software for PCs, as a camera function to further improve image quality and contribute to user creativity.
Canon is working on field tests for this camera and will support capturing definitive and impactful moments at international sporting events to be held in the future.
Going forward, Canon will continue to expand the EOS R SYSTEM lineup of cameras and RF lenses, thereby continuing to meet the demands of a wide range of users and contribute to the development of photography and video culture.
Title: Monkey Business In this captivating tale set in vibrant Nigeria, Dr. Amaka Allen and Dr. Bernard Wallace find themselves in a mysterious monkey village. As they navigate personal challenges and a puzzling mystery involving revolutionary technology and animal behavior, they uncover a web of corporate intrigue that threatens both wildlife and human society.
“Monkey Business” seamlessly blends humor, suspense, and romance, while addressing thought-provoking themes of ethical innovation and the interconnectedness of all living beings. With its rich cultural tapestry, intricate characters, and emotionally resonant storyline, this film promises a mesmerizing and introspective experience that will leave audiences contemplating the essence of life, love, and the ties that bind us all.
THE KEY CAST
Prof Alex OsifoNgozi EzeonuPeter Armand BoyoGrace ObiJ Leo UchePatrick IfeanyiObi Okoli
ABOUT THE PRODUCER / DIRECTOR
J Leo Uche is a renowned
Nigerian movie director, filmmaker, and five-time mixed martial arts champion
who has made a significant impact on the Nigerian film industry with his unique
approach to action movies. Born and raised in Lagos Nigeria, Uche developed a
passion for martial arts at a young age and went on to become a kung fu expert,
earning multiple championships in mixed martial arts competitions across the
country.
J Leo background in
martial arts has heavily influenced his filmmaking style, as he is known for
creating action-packed movies that showcase intense fight scenes and stunning
choreography. What sets J Leo apart from other filmmakers in Nigeria is his
ability to incorporate authentic kung fu techniques and high-octane action
sequences into his movies, creating a cinematic experience that is unparalleled
in the industry.
One of J Leo most notable
works is the film “The Dangerous men , Unges war, ,” which tells the
story of a young kung fu master who must defend his village from a ruthless
gang of criminals. The movie features breathtaking fight scenes that showcase J
Leo expertise in martial arts and his ability to translate his skills onto the
big screen. The film was a massive success in Nigeria and garnered
international attention for its innovative approach to action filmmaking.
Uche’s dedication to his
craft and his willingness to push the boundaries of what is possible in
Nigerian cinema have earned him a reputation as a visionary filmmaker. He often
performs his own stunts and works closely with his actors to ensure that the
fight scenes are authentic and believable. His movies are known for their high
production value, intricate storylines, and intense action sequences that keep
audiences on the edge of their seats.
In addition to his work in
film, J Leo is also a respected figure in the Nigerian martial arts community.
He continues to train and compete in mixed martial arts tournaments, and he
uses his platform to promote the benefits of martial arts training for young
people in Nigeria.
J Leo Uche’s contributions to Nigerian cinema and martial arts have made him a true icon in the country. His unique vision and dedication to his craft have inspired a new generation of filmmakers and martial artists, and his legacy is sure to continue for years to come.
“You may not be aware of this, but you are about to
enter a parallel universe called the Cannes Vortex.” Camille Cottin was already
on stage at the Grand Théâtre Lumière when lights went on for this 77th edition
of the Festival de Cannes. Driven by the energy of the Worakls Orchestra, the
French actress placed the twelve days of the Festival under the signs of
emotion, commitment and, of course, love of cinema.
“We watch films all day long and we discuss them all
night long. Nobody speaks the same language, yet we all understand each other.
(…) Here, when you plunge into darkness, it’s to find light. It sounds insane,
but the craziest of this is that it’s true. It is not a parallel universe. This
world exists. This is where film aficionados from all over the world meet. A
place for encounters, dialogs, debate, reflexion, culture, and enchantment.
This is here and now. At a time of troubling and even chilling events in the
world, when deep fractures divide peoples, when our planet is burning, when our
collective intelligence is threatened with becoming artificial, this gathering
venue is a stroke of luck. Every year, we come to Cannes to take a photograph
of our humanity; we come to fill up on hope. It is infinitely beautiful.”
The Mistress of Ceremonies invited Ebru Ceylan, Lily
Gladstone, Eva Green, Nadine Labaki, Juan Antonio Bayona, Pierfrancesco Favino,
Kore-eda Hirokazu and Omar Sy to join her. They are the members of the Feature
Film jury chaired by American actress and director Greta Gerwig.
The filmmaker who “conquered the world in three
films” appeared extremely moved by the dazzling performance of singer Zaho de
Sagazan, who came to sing Modern Love, the worldwide hit and the soundtrack to
her film, Frances Ha.
And as we never tire of welcoming exceptional women
to the stage for this opening ceremony, a long standing ovation greeted the
entrance of Meryl Streep, who was in Cannes to receive an honorary Palme d’Or
from the hands of French actress Juliette Binoche. The latter expressed her
greatest respect: “Your face and your voice are part of our lives. You made us
feel emotions. You made us grow. When I see you on screen, it’s not you I see,
it is a flow that goes through you. And that is what being an actor is all
about. But in reality, it is much more. It is a link created by your presence,
letting beauty come to you. What flows through you in an instant is intent,
thought, energy, love, truth. Where does all this come from? Is it from love?
Were you born this way? What was your dream?”
Reacting to the film tribute to her career, the
great American actress said: “For me, watching this clip is like looking out of
the window of a high-speed train. Rushing like a flash from my youth to my
fifties, right up to the present day. So many faces, so many places that I
remember so well. When I was in Cannes 35 years ago, for the first time, I was
already a mother of three. I was approaching 40 and I thought my career was
over. At the time, for an actress, that was a reasonable prediction. The only
reason I’m here tonight is because of the wonderful artists I’ve worked with,
including Madame President.”
Finally, the two actresses joined voices to declare
the 77th Festival de Cannes officially open!
The Opening Ceremony was broadcast live on France 2
and internationally on Brut. It was followed by a screening of Le Deuxième Acte
(The Second Act) by Quentin Dupieux, released today in French theaters.
Thousands of spectators were also able to experience
this exceptional evening in numerous cinemas, where the ceremony and the
opening film were broadcast live thanks to the collaboration of the Cannes
Festival, France Télévisions, Brut., and FNCF.
Throughout this 77th edition, the Festival
Television, co-produced by France Télévisions, Brut. and the Festival de
Cannes, will be covering the red carpet ascendings, press conferences,
photocalls, and official events. It will also be available on France.tv, Brut.
Cannes, YouTube and the Festival de Cannes official website.
The Opening and Closing Ceremonies will be broadcast
live internationally in English and French by Brut., without geographical
restrictions, via the following links: Brut. Africa – Brut. America – Brut.
Spain – Brut. India – Brut. Mexico
IN THE COLD Feature Film by Jeff MCcore, Emmanuel Jeff Okhuelegbe (Nigeria)
BEST FEATURE DOCUMENTARY FILM (JOINT WINNERS)
THE COLOR OF SLAVERY Feature Documentary Film by Patrick Baucelin (Martinique)AFRICA, CRADLE OF HUMANKIND AND MODERN CIVILISATIONS Feature Documentary Film by Benita Jacques (Canada)
BEST SHORT DOCUMENTARY FILM
MOTHER EARTH EDUCATORS Documentary Film by Endre Kvia (Australia)
BEST SHORT FILM
U=ME Short Film by Umesh Vinayak Kulkarni (India)
BEST NIGERIA SHORT FILM
ECHOES OF WAR Short Film by fisayo John ogunmodede (Nigeria )
BEST ACTOR
KANG QUINTUS- Movie Nganu (Cameroon)
BEST ACTRESS
CHIOMA OKAFOR – Movie The Rising Sun (Nigeria)
BEST SUPPORTING ACTORMALE
JOHNSON IBE- Movie In The Cold (Nigeria)
BEST SUPPORTING ACTOR FEMALE
KAYDEN TOKARSKI – Movie Roswell Delirium (USA)
BEST INDIGENOUS FILM
IWO (TOXIN) Indigenous Film by Muyiwa Ademola (Nigeria)
BEST ANIMATION FILM
WHO IS GOD? Animation Film by Oscar Adan Lopez Parres (Mexico)
The Movie NGANU Directed by Kang Quintus (Cameroon)opens the 14th edition Eko International Film Festival 2024
NGANU Directed by Kang Quintus (Cameroon)
SYNOPSIS
Nganù (Kang Quintus) a violent and withdrawn man who, due to several traumas suffered in his childhood, constantly abuses and beats his wife Meukena (Azah Melvine) under the overwhelming gaze of their son Kum (Ayuk Gareth). In an attempt to come to terms with his past, he joins the army but returns to face the monster he created.
This movie will be screened during the 14th edition of the annual Eko International Film Festival Venue VIVA Cinemas Jara Mall Ikeja Lagos Time 2pm prompt Date April 22,2024. Attendance Free.
SYNOPSIS:
For a long time, Benita Jacques has always had questions about her origins to which she never got any answers from her parents. Today, the young mother from Montreal wants to bring answers to her children who ask her the same questions that she herself could not have. So, she decided to leave for Africa, in search of her origins. Her journey took her to West Africa and began at the Museum of Black Civilizations in Dakar, Senegal, which hosts the exhibition : « Africa, Cradle of Humanity and Modern Civilizations » . She tries to find out what was the lifestyles of her ancestors who lived on the continent before the deportation. In order to reconstruct history, she meets with resource persons who have researched and written reference books on Africa. In their company, she travels through time and space through spiritual, historical and scientific testimonies of what remains of the golden age of the continent.
BENITA JACQUES
Director Biography – Benita Jacques
At a very young age, Benita Jacques realised that she and
theatre were born for each other. When she decided to make the stage her
natural habitat, she understood that this habitat was a place of pleasure,
artistic expression and also a way to share her state of mind. The trained
actress who holds a DEC in Arts and Literature from Marie Victorin College and
a Bachelor in dramatic arts from the University of Quebec in Montréal (UQAM),
she continues to be active in various theatrica and film productions including:
Storylive, L’Auberge du chien noir, 30 Vies, Rupture, Mémoires Vives, Gason
Makoklen, l’Innocence, Une démocratie assassée. Having several arrows in her
bow, she serves on the board of directors of the Alliance Socioculturelle et
Aides Pédagogiques (ASAP), which has allowed her to be versatile and put on the
shoes of an assistant director alongside her mentor Evins Valcin. This
passionate about stage and theatre, with a background in arts and letters and
drama, loves to share her skills and transmit her knowledge through teaching to
all those who have received the call of the stage. The best way to excel in
this field is to use her own platforms and set up her own productions from
which she acts as director, scriptwriter, director and producer. Business woman
and philanthropist, Benita Jacques is at the head of the companies: Zen Queen
Media Production, JB Solutions Immobilières, Benita and Jetro Fondation as well
as Impact des arts, which is involved in socio-cultural and educational
productions aimed at democratising theatre and producing plays in which members
of cultural communities can find themselves and make themselves known.
