Iranian Drama wins the Golden Bear at 61st berlinale

The accomplished Iranian screenwriter and film director Asghar Farhadi’s captivating drama Nader and Simin: A Separation won the Golden Bear for the Best Film at the 61st Berlin Film Festival and was elated to receive his coveted prize at the closing ceremony on Saturday February 19, 2011. This must really be fulfilling for him after winning the Silver Bear for Best Director for his film About Elly in 2009. This is the first time an Iranian film has won the Golden Bear.

Asghar Farhadi
Asghar Farhadi lifting up his Golden Bear at the 61st Berlinale.

The male and female actors of “Nader and Simin, A Separation” were honored each with a Silver Bear for their performance.

A_Separation

The film is about a middle-class couple Nader and Simin married for fifteen years and live with their eleven-year-old daughter Termeh in Tehran. The family belong to the urban upper middle-class and the couple are on the verge of separation. Simin wants to leave the country with her husband and daughter, as she does not want Termeh to grow up under the prevailing conditions. Her desire is not shared by the stubborn Nader. He has concerns for his father, who lives with the family and suffers from Alzheimer’s disease. When Nader decides to stay in Iran, Simin files for a divorce.

Bela Tarr took home the Jury Grand Prix of the Silver Bear for being the runner-up for his film “The Turin Horse”.

The other winners emerged in the following order:

Silver Bear – Best Director
Ulrich Köhler
for Schlafkrankheit (Sleeping Sickness)

Silver Bear – Best Actress
to the actress-ensemble in
Jodaeiye Nader az Simin (Nader And Simin, A Separation)
by Asghar Farhadi

Silver Bear – Best Actor
to the actor-ensemble in
Jodaeiye Nader az Simin (Nader And Simin, A Separation)
by Asghar Farhadi

Silver Bear – Outstanding Artistic Achievement
Wojciech Staron for the camera in
El premio (The Prize)
by Paula Markovitch

ex aequo

Barbara Enriquez for the production design in
El premio (The Prize)
by Paula Markovitch

Silver Bear – Best Script
Joshua Marston and Andamion Murataj for
The Forgiveness Of Blood (The Forgiveness Of Blood)
by Joshua Marston

Alfred Bauer Prize
Awarded in memory of the Festival founder, for a work of particular innovation.

Wer wenn nicht wir (If Not Us, Who)
by Andres Veiel

Click here for more details.

~ By Hope O. Opara

The 2011 BAFTAs, the full report

Leading Actor Colin Firth

Colin Firth won the BAFTA for his performance as King George VI in The King’s Speech. (Pic: BAFTA/ Richard Kendal)

The King’s Speech wins seven BAFTAs including Best Film, Leading Actor for Colin Firth, Supporting Actor for Geoffrey Rush and Supporting Actress for Helena Bonham Carter.

Natalie Portman wins Leading Actress

The Social Network and Inception win three BAFTAs each

Alice in Wonderland takes home two awards

The King’s Speech was named Best Film at tonight’s Orange British Academy Film Awards, held at London’s Royal Opera House. The film also won six other awards: Outstanding British Film, Original Screenplay and Original Music, as well as a trio of performance awards for Geoffrey Rush, Helena Bonham Carter and Colin Firth, who wins the Leading Actor BAFTA for the second year running.

Natalie Portman was awarded the BAFTA for Leading Actress for her performance as Nina Sayers in Black Swan.

David Fincher won the Director award for The Social Network and Aaron Sorkin took home the BAFTA for Adapted Screenplay. The film also won the Editing award.

Inception won the Production Design, Sound and Special Visual Effects BAFTAs.
Director Chris Morris received the award for Outstanding Debut by a British Writer, Director or Producer for his first feature film Four Lions.

Alice in Wonderland won the BAFTAs for Costume Design and Make Up & Hair. Toy Story 3 took home the award for Animated Film. True Grit won for Cinematography. The Film Not in the English Language BAFTA went to The Girl with the Dragon Tattoo.

The Eagleman Stag won the Short Animation award and the Short Film award was presented to Until the River Runs Red.

The Orange Wednesdays Rising Star Award was presented to Tom Hardy, star of Inception and Bronson. This award, the only one voted for by the public, recognises an international actor or actress who has demonstrated exceptional talent and has begun to be recognised as a film star in the making. The award is now in its sixth year and was created in honour of Mary Selway, the highly respected casting director who passed away in 2004.

The highest accolade which the Academy can bestow, the Fellowship, was presented to Christopher Lee. The award for Outstanding British Contribution to Cinema was received by JK Rowling and David Heyman on behalf of The Harry Potter Films.

For further information, please contact:
Jo Fernihough at Freud Communications
T: 020 3003 6386 / johanna.fernihough@freud.com

THE FOLLOWING IS THE COMPLETE REPORT:

2010 NOMINATIONS AND WINNERS
(presented in 2011)

ACADEMY FELLOWSHIP
CHRISTOPHER LEE

OUTSTANDING BRITISH CONTRIBUTION TO CINEMA
THE HARRY POTTER FILMS

BEST FILM
BLACK SWAN Mike Medavoy, Brian Oliver, Scott Franklin
INCEPTION Emma Thomas, Christopher Nolan
THE KING’S SPEECH Iain Canning, Emile Sherman, Gareth Unwin
THE SOCIAL NETWORK Scott Rudin, Dana Brunetti, Michael De Luca, Céan Chaffin
TRUE GRIT Scott Rudin, Ethan Coen, Joel Coen

OUTSTANDING BRITISH FILM
127 HOURS Danny Boyle, Simon Beaufoy, Christian Colson, John Smithson
ANOTHER YEAR Mike Leigh, Georgina Lowe
FOUR LIONS Chris Morris, Jesse Armstrong, Sam Bain, Mark Herbert, Derrin Schlesinger
THE KING’S SPEECH Tom Hooper, David Seidler, Iain Canning, Emile Sherman, Gareth Unwin
MADE IN DAGENHAM Nigel Cole, William Ivory, Elizabeth Karlsen, Stephen Woolley

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
THE ARBOR Clio Barnard (Director), Tracy O’Riordan (Producer)
EXIT THROUGH THE GIFT SHOP Banksy (Director), Jaimie D’Cruz (Producer)
FOUR LIONS Chris Morris (Director/Writer)
MONSTERS Gareth Edwards (Director/Writer)
SKELETONS Nick Whitfield (Director/Writer)

DIRECTOR
127 HOURS Danny Boyle
BLACK SWAN Darren Aronofsky
INCEPTION Christopher Nolan
THE KING’S SPEECH Tom Hooper
THE SOCIAL NETWORK David Fincher

ORIGINAL SCREENPLAY
BLACK SWAN Mark Heyman, Andrés Heinz, John McLaughlin
THE FIGHTER Scott Silver, Paul Tamasy, Eric Johnson
INCEPTION Christopher Nolan
THE KIDS ARE ALL RIGHT Lisa Cholodenko, Stuart Blumberg
THE KING’S SPEECH David Seidler

ADAPTED SCREENPLAY
127 HOURS Danny Boyle, Simon Beaufoy
THE GIRL WITH THE DRAGON TATTOO Rasmus Heisterberg, Nikolaj Arcel
THE SOCIAL NETWORK Aaron Sorkin
TOY STORY 3 Michael Arndt
TRUE GRIT Joel Coen, Ethan Coen

FILM NOT IN THE ENGLISH LANGUAGE
BIUTIFUL Alejandro González Iñárritu, Jon Kilik, Fernando Bovaira
THE GIRL WITH THE DRAGON TATTOO Søren Stærmose, Niels Arden Oplev
I AM LOVE Luca Guadagnino, Francesco Melzi D’Eril, Marco Morabito, Massimiliano Violante
OF GODS AND MEN Xavier Beauvois, Pascal Caucheteux, Etienne Comar
THE SECRET IN THEIR EYES Mariela Besuievsky, Juan José Campanella

ANIMATED FILM
DESPICABLE ME Chris Renaud, Pierre Coffin
HOW TO TRAIN YOUR DRAGON Chris Sanders, Dean DeBlois
TOY STORY 3 Lee Unkrich

LEADING ACTOR
JAVIER BARDEM Biutiful
JEFF BRIDGES True Grit
JESSE EISENBERG The Social Network
COLIN FIRTH The King’s Speech
JAMES FRANCO 127 Hours

LEADING ACTRESS
ANNETTE BENING The Kids Are All Right
JULIANNE MOORE The Kids Are All Right
NATALIE PORTMAN Black Swan
NOOMI RAPACE The Girl with the Dragon Tattoo
HAILEE STEINFELD True Grit

SUPPORTING ACTOR
CHRISTIAN BALE The Fighter
ANDREW GARFIELD The Social Network
PETE POSTLETHWAITE The Town
MARK RUFFALO The Kids Are All Right
GEOFFREY RUSH The King’s Speech

SUPPORTING ACTRESS
AMY ADAMS The Fighter
HELENA BONHAM CARTER The King’s Speech
BARBARA HERSHEY Black Swan
LESLEY MANVILLE Another Year
MIRANDA RICHARDSON Made in Dagenham

ORIGINAL MUSIC
127 HOURS AR Rahman
ALICE IN WONDERLAND Danny Elfman
HOW TO TRAIN YOUR DRAGON John Powell
INCEPTION Hans Zimmer
THE KING’S SPEECH Alexandre Desplat

CINEMATOGRAPHY
127 HOURS Anthony Dod Mantle, Enrique Chediak
BLACK SWAN Matthew Libatique
INCEPTION Wally Pfister
THE KING’S SPEECH Danny Cohen
TRUE GRIT Roger Deakins

EDITING
127 HOURS Jon Harris
BLACK SWAN Andrew Weisblum
INCEPTION Lee Smith
THE KING’S SPEECH Tariq Anwar
THE SOCIAL NETWORK Angus Wall, Kirk Baxter

PRODUCTION DESIGN
ALICE IN WONDERLAND Robert Stromberg, Karen O’Hara
BLACK SWAN Thérèse DePrez, Tora Peterson
INCEPTION Guy Hendrix Dyas, Larry Dias, Doug Mowat
THE KING’S SPEECH Eve Stewart, Judy Farr
TRUE GRIT Jess Gonchor, Nancy Haigh

COSTUME DESIGN
ALICE IN WONDERLAND Colleen Atwood
BLACK SWAN Amy Westcott
THE KING’S SPEECH Jenny Beavan
MADE IN DAGENHAM Louise Stjernsward
TRUE GRIT Mary Zophres

SOUND
127 HOURS Glenn Freemantle, Ian Tapp, Richard Pryke, Steven C Laneri, Douglas Cameron
BLACK SWAN Ken Ishii, Craig Henighan, Dominick Tavella
INCEPTION Richard King, Lora Hirschberg, Gary A Rizzo, Ed Novick
THE KING’S SPEECH John Midgley, Lee Walpole, Paul Hamblin, Martin Jensen
TRUE GRIT Skip Lievsay, Craig Berkey, Greg Orloff, Peter F Kurland, Douglas Axtell

SPECIAL VISUAL EFFECTS
ALICE IN WONDERLAND Ken Ralston, David Schaub, Sean Phillips, Carey Villegas
BLACK SWAN Dan Schrecker, Henrik Fett, Michael Capton, William ‘Brad’ Kalinoski
HARRY POTTER AND THE DEATHLY HALLOWS PART 1 Tim Burke, John Richardson, Nicolas Aithadi, Christian Manz
INCEPTION Chris Corbould, Paul Franklin, Andrew Lockley, Peter Bebb
TOY STORY 3 Guido Quaroni, Michael Fong, David Ryu

MAKE UP & HAIR
ALICE IN WONDERLAND Valli O’Reilly, Paul Gooch
BLACK SWAN Judy Chin, Geordie Sheffer
HARRY POTTER AND THE DEATHLY HALLOWS PART 1 Amanda Knight, Lisa Tomblin, Nick Dudman
THE KING’S SPEECH Frances Hannon
MADE IN DAGENHAM Lizzie Yianni Georgiou

SHORT ANIMATION
THE EAGLEMAN STAG Michael Please
MATTER FISHER David Prosser
THURSDAY Matthias Hoegg

SHORT FILM
CONNECT Samuel Abrahams, Beau Gordon
LIN Piers Thompson, Simon Hessel
RITE Michael Pearce, Ross McKenzie, Paul Welsh
TURNING Karni Arieli, Saul Freed, Alison Sterling, Kat Armour-Brown
UNTIL THE RIVER RUNS RED Paul Wright, Poss Kondeatis

THE ORANGE WEDNESDAYS RISING STAR AWARD (voted for by the public)
GEMMA ARTERTON
ANDREW GARFIELD
TOM HARDY
AARON JOHNSON
EMMA STON

CLICK HERE FOR THE COMPLETE PHOTOGRAPHS OF ALL THE WINNERS

African Film Festival of Tarifa Offers Movies Online

Tarifa banner

2 Feb 2011 18:12 Africa/Lagos

African Film Festival of Tarifa Offers Movies Online

TARIFA, February 2, 2011/African Press Organization (APO)/ — FCAT’s 8th edition on 11th-19th June

From Tarifa 2011

3rd African-Spanish film Co-production forum’s submission closed

Submissions of films for official competition close February 25th

Submissions of for 4th PhotoAfrica close March 1st

The African Film Festival of Tarifa (www.fcat.es), has entered into a partnership with AfricanFilms.tv, a video-on-demand internet platform with headquarter in Dakar, Senegal, aiming to help the platform build up its catalogue of African films.

African movies online

Due to cooperation with AfricaFilms.tv film fans will be able to watch movies from the 500 films rich FCAT library on the video-on-demand platform when it launches commercially in June. A legal, commercial downloading platform, available worldwide, guarantees fair revenue to African filmmakers and producers. “AfricaFilms.tv is very transparent and straight forward. It is commercial, but the focus is on the African filmmaker. Right holders get 50% of revenue, have online access to the back office and the cession of rights is non-exclusive” says AfricaFilm.tv CEO, Mr. Enrico Chiesa.

“We hope to provide the platform with 20-30 titles from our library per year” says Mrs. Mane Cisneros, director of FCAT and adds “Securing the rights and all the materials related will take time and effort, but we are convinced this is the right platform for us and for the filmmakers”.

Spanish-African co-productions

In January FCAT closed selection process for the 3rd Africa Produce – forum between African filmmakers and Spanish producers, TV commissioning editors and co-production managers, which goal is to introduce African cinema projects to the Spanish co-production market. For this year forum FCAT received 18 feature-length projects and 12 documentary projects, coming from 14 African countries. The most entries in fiction category came from Nigeria (4) and Cameroon (4), while the most documentary projects came from Burkina Faso (3). For the first time ever Equatorial Guinea and Namibia applied in the forum.

Six projects will be selected by FCAT jury and their directors will be present at the festival to convince Spanish producers. “We aim to continue promoting co-production between Africa and Spain. Two films, from Senegal and Mali, presented in the previous editions are now in development” said Carlos Domínguez, África Produce‘s co-ordinator.

Calls for entries still open

Filmmakers from all over Africa can until February 25th send their films to FCAT’s committee, which is in charge of selecting movies for the competing and non-competing sections of the festival.

At the same time African photographers can send their entries for the 4th PhotoAfrica until March 1st.

More info regarding application process can be found on www.fcat.es

About FCAT

African film festival of Tarifa (FCAT – Festival de Cine Africano de Tarifa) is an independent and competitive film festival and one of the biggest African film festivals in Europe. The FCAT celebrates its eighth edition from 11th to 19th June 2011 in Andalusian town Tarifa – the closest town of continental Europe to the African continent – the two continents are in fact only 14 km apart from one another in this geographical area.

This year FCAT will screen up over hundred African films and it will bring together some of the most distinguished African filmmakers. Its aim is to spread knowledge about African film production by exhibiting a representative wide variety of audiovisual African works every year: from the classics to more innovative and recent films, from documentaries to feature length fiction films, from South Africa to Morocco and from Senegal to Ethiopia. More on www.fcat.es

Contact:

Filip Hruby

International Press Officer

Festival de Cine Africano de Tarifa – FCAT

Móvil: +420/775011550

gabineteprensa2@fcat.es

www.fcat.es

Source: The African Film Festival of Tarifa

3 films from developing countries win 2011 VPRO Tiger Awards

3 films from developing countries win 2011 Tiger Awards

IFFR 2011 LOGO

“Cold Water of the Sea (Agua fría de mar)” by Paz Fábrega from Costa Rica, “Mundane History” by Anocha Suwichakornpong from Thailand and “Alamar” by Mexican director Pedro González-Rubio have won the coveted VPRO Tiger Awards of the 2011 International Film Festival Rotterdam (IFFR).

cold_water_of_the_sea

The jury praised “Cold Water of the Sea” for successfully “telling the story of a mysterious relationship between a woman and a young girl in a convincing and poetic manner. The film takes the audience on an unusual journey through a nature that interacts with people in a magical way. The superb editing ensures an organic flow of images, whilst the strong directing and disturbing atmosphere create tension.’

“Mundane History”, narrates the wavering relationship between a bitter invalid and his new career. The film offered philosophical and political insight into aspects of Thai society. ‘For us this film appeals to both intelligence and spirituality. We are impressed with the accomplished interplay of abstract ideas and harrowing reality in this film,’ the jury acknowledged.
Anocha Suwichakornpong has already won the Prince Claus Fund Film Grant for her new CineMart project By “The Time It Gets Dark”.

The third winner, “Alamar” is a film that ‘touches deeply without being too sentimental’. This film, about a father and son that go on a journey to the source of the open sea to find their old way of life, is ‘true and honest to its subject and shows both the good fortune and tragedy of being a child with divorced parents,’ said the jury.

15 films competed for the VPRO Tiger Awards. They were either debuts or second films from novice directors. The three winners will each get €15,000.

The jury consisted of director Amat Escalante, actress Jeanne Balibar, director Urszula Antoniak, former director of the Singapore film festival Philip Chea and the Ugandan actor, musician, scriptwriter and activist Okello Kelo Sam.

As well as the Tiger Awards, other prizes were announced. The KNF award, a prize from the Circle of Netherlands Film Journalists, was awarded to a film that is not yet available for distribution in the Netherlands: Norteado from Mexican director Rigoberto Pérezcano. According to the jury this is ‘a film that touched our hearts and minds with its high visual qualities, terrific acting and gripping story about the plight of illegal immigrants that try to get into the United States.’

The FIPRESCI award from international film critics was given this year to Let Each One Go Where He May from Ben Russell, a film that was also nominated for a VPRO Tiger Award. The prize rom the network for promoting Asian film, NETPAC, was given to the Korean film Moscow from Whang Cheol-Mean. (SM)

2011 Sundance Film Festival Announces Jury Prizes In Short Filmmaking

Sundance-Film-Festival-2011

2011 Sundance Film Festival Announces Jury Prizes In Short Filmmaking

Filmmakers from Australia, Poland, Spain, Germany, Ireland, Italy, Canada and the United States Celebrated for their Documentary and Narrative Work

Park City, UT –The 2011 Sundance Film Festival this evening announced the jury prizes in shorts filmmaking and gave honorable mentions based on outstanding achievement and merit. The awards were presented at a ceremony held in Park City, Utah. These award recipients will also be honored at the Festival’s Awards Ceremony hosted by Sundance Alum Tim Blake Nelson on Saturday, January 29.

The 2011 Short Film jurors are Barry Jenkins (director, writer, Medicine for Melancholy); Kim Morgan (Film and Culture writer, Sunset Gun, The Hitlist) and Sara Bernstein (Vice president, HBO Documentary films; supervising producer, Baghdad ER, White Light, Black Rain: The Destruction of Hiroshima and Nagasaki).

The Jury Prize in Short Filmmaking was awarded to Brick Novax pt 1 and 2 (Director and Screenwriter: Matt Piedmont)— Penniless and now living in a seedy motel with only weeks to live, international super legend Brick Novax records his amazing tales as an astronaut, movie star, corporate CEO, and famous musician to preserve his legacy as the coolest guy in the history of the world.

The Jury Prize in International Short Filmmaking was given to Deeper Than Yesterday Australia (Director and Screenwriter: Ariel Kleiman) – After three months submerged underwater in a submarine, the crew have become savages. Oleg, one of the men onboard, fears that losing perspective may mean losing himself.

In addition, The Shorts Jury awarded Honorable Mentions in Short Filmmaking to:

Choke / Canada (Drector and Screenwriter: Michelle Latimer)— Upon leaving his First Nations reserve, Jimmy encounters the lost souls of the city and is reminded that no matter how far you travel, you cannot escape who you are.

Diarchy / Italy (Director and Screenwriter: Ferdinando Cito Filmomarino) – Giano and Luc are traveling through the woods when a storm breaks, forcing them to take shelter in Luc’s villa. Gradually and insidiously, a competition emerges between them, with terrible consequences.

The External World / Germany, Ireland (Director and Screenwriter: David O’Reilly) – A boy learns to play the piano.

The Legend of Beaver Dam / Canada (Director: Jerome Sable; Screenwriters: Jerome Sable and Eli Batalion) – When a ghost story around the campfire awakens an evil monster, it’s up to nerdy Danny Zigwitz to be the hero and save his fellow campers from a bloody massacre.

Out of Reach / Poland (Director and Screenwriter: Jakub Stozek) – Karolina and Natalia seek refuge from their domineering father and reminiscence about sad childhood without a mother in a basement of their block of flats.

Protoparticles / Spain (Director and Screenwriter: Chema García Ibarra) – The experiment was a success: protomatter exists.

Festival Sponsors
The 2011 Sundance Film Festival sponsors include: Presenting Sponsors—Entertainment Weekly, HP, Acura, Sundance Channel and Chase SapphireSM; Leadership Sponsors—Bing™, Canon, DIRECTV, Honda, Southwest Airlines and YouTube™; Sustaining Sponsors—FilterForGood®, a partnership between Brita® and Nalgene®, The Cosmopolitan of Las Vegas, L’Oréal Paris, Stella Artois®, Timberland, and Trident Vitality™. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations will defray costs associated with the 10-day Festival and the nonprofit Sundance Institute’s year-round programs for independent film and theatre artists. In return, sponsorship of the preeminent Festival provides these organizations with global exposure, a platform for brand impressions and unique access to Festival attendees.

About Sundance Film Festival
Supported by the nonprofit Sundance Institute, the Festival has introduced global audiences to some of the most ground-breaking films of the past two decades, including sex, lies, and videotape, Maria Full of Grace, The Cove, Hedwig and the Angry Inch, An Inconvenient Truth, Precious, Trouble the Water and Napoleon Dynamite and, through its New Frontier initiative, has brought the cinematic works of media artists including Isaac Julian, Doug Aitken, Pierre Huyghe, Jennifer Steinkamp and Matthew Barney. www.sundance.org/festival

Sundance Institute
Sundance Institute is a global nonprofit organization founded by Robert Redford in 1981. Through its artistic development programs for directors, screenwriters, producers, composers and playwrights, the Institute seeks to discover and support independent film and theatre artists from the United States and around the world, and to introduce audiences to their new work. The Institute promotes independent storytelling to inform, inspire, and unite diverse populations around the globe. Internationally recognized for its annual Sundance Film Festival, Sundance Institute has nurtured such projects as Born into Brothels, Trouble the Water, Son of Babylon, Amreeka, An Inconvenient Truth, Spring Awakening, Light in the Piazza and Angels in America. www.sundance.org

Sundance  Film Festival

14 films compete for Tiger Awards at 40th IFFR

IFFR 2011

The 40th edition of International Film Festival Rotterdam (IFFR) begins from 26 January to 6 February 2011.

The first or second feature films concurring for three equal top prizes of each 15,000 euro, includes three world premieres. Two of the competing films have been supported by Rotterdam’s Hubert Bals Fund.

The Jury of the Tiger Awards Competition 2011:

 Lucrecia Martel, filmmaker, scriptwriter and film producer (Argentina)
 Sandra den Hamer, director of the EYE Film Institute Netherlands and former IFFR director
 filmmaker Andrei Ujica (Romania)
 Wisit Sasanatieng, filmmaker (Thailand)
 Lee Ranaldo, vocalist, guitarist, composer and co-founder of noise rock band Sonic Youth (USA).

The Jury of the Tiger Awards selected the following 14 films for the prestigious Tiger Aawrds and the winner will be announced on Friday February 4, 2011.

Chitra sutram / The Image Threads
Vipin Vijay, India, 2010, 104’, European premiere
A tale about a computer teacher, a black magician and a cyber creature who are predestined for online and offline encounters. The story oscillates between Indian mythology, surrealist personal symbolism and the cyber world. First feature film of Vipin Vijay.

Vete más lejos, Alicia / Alicia, Go Yonder
Elisa Miller, Mexico, 2010, 67’, International premiere
A moving and visual portrayal of the excitement, alienation, and loneliness nineteen-year old Alicia experiences when she leaves her parental home in Mexico for Buenos Aires with the ambition to become an acrobat. First feature film of Elisa Miller.

Pasuggun / Bleak Night
Yoon Sung-Hyun, South Korea, 2010, 116’, International premiere
Yoon’s New Current Award winning film focuses on the subdued aggression and explosive relationships among friends in Korea’s often repressive school system. First feature film of Yoon Sung-Hyun.

Finisterrae
Sergio Caballero, Spain, 2010, 80’, International premiere
Portraying two lost ghosts who take the Way of Saint James to the end of the world (Finisterra), this hypnotizing road movie is a treat for eyes and ears. It draws inspiration from Philippe Garrel’s The Inner Scar. First feature film of Sergio Caballero.

Wasted Youth
Argyris Papadimitropoulos & Jan Vogel, Greece, 2011, 98’, World premiere & Opening Film
During a hot summer in Athens, the lives of two protagonists unexpectedly cross paths: a passionate teenage skater and a policeman in his midlife crisis. Second feature film of
Argyris Papadimitropoulos and first feature film of Jan Vogel.

Gromozeka
Vladimir Kott, Russia, 2011, 104’, World premiere
Funny, serious and touching at the same time, the film offers a view of contemporary Russia following three parallel stories of old school friends. Now a police officer, taxi driver and surgeon in their forties, they cross paths without realizing it. Second feature film of Vladimir Kott.

Fasl-e baran-haye moosemi / Rainy Seasons
Majid Barzegar, Iran, 2010, 86’, European premiere
This intimate Iranian film tells the story of an urban teenage boy trapped between his parents’ divorce and his own troubles. It reveals a seldom shown side of Iranian society – middle class urban youths that have the same problems as everywhere around the world. First feature film of Majid Barzegar.

Headshots
Lawrence Tooley, Germany, Austria, 2010, 92’, International premiere
Subtle distance characterizes the point of view of the filmmaker towards his subject: a female photographer makes her way through 21st century Berlin, a city full of artistic and complicated people. Second feature film of Lawrence Tooley.

O céu sobre os ombros / The Sky Above
Sérgio Borges, Brazil, 2010, 72’, International premiere
Blurring borders between documentary and fiction, this film portrays a few moments from the lives of three men from Belo Horizonte: a transsexual prostitute and academic, a Hare Krishna soccer fan and a would-be writer. Winner of five awards at the Festival of Brazilian Cinema. First feature film of Sérgio Borges.

Fuyu no kimono / Love Addiction
Uchida Nobuteru, Japan, 2010, 92’, International premiere
In Love Addicton, superior improvisation and total commitment overcome all limitations of low budget film-making. The filmmaker points his camera at four characters, co-workers who have complicated relationships during and after working hours. Second feature film of Uchida Nobuteru.

Igillena maluwo / Flying Fish
Sanjeewa Pushpakumara, Sri Lanka, 2011, Hubert Bals Fund, 125’, World premiere
This daring, exciting story from northern Sri Lanka convincingly captures the madness in a land where the psychology of war is omnipresent. Three parallel stories deal with the attempts of ordinary village people to lead a normal life in abnormal circumstances. First feature film of Sanjeewa Pushpakumara.

Tee-rak / Eternity
Sivaroj Kongsakul, Thailand, 2010, Hubert Bals Fund, 105’, European premiere
After his death, a man returns to the landscape of his childhood and relives the relationship that was meant to last forever. Eternity is a romantic and spiritual film as well as a meditation about the death of a loved one. First feature film of Sivaroj Kongsakul.

Todos tus muertos / All Your Dead Ones
Carlos Moreno, Colombia, 2010, 90’, International premiere
One Sunday morning, a Colombian farmer finds a pile of dead bodies in his corn field. On Election Day, the local politicians however have other things on their mind than dealing with the crime. Second feature film of Carlos Moreno.

Musan il-gy / The Journals of Musan
Park Jung-Bum, South Korea, 2010, 127’, European premiere
Already an award winning film, The Journals of Musan portrays the plights and emotions of a North Korean defector who is trying to adapt to South Korea’s capitalist society. First feature film of Park Jung-Bum, who plays the lead himself.

© 2011 International Film Festival Rotterdam

Femi Odugbemi Launches IREP Documentary Film Festival in Lagos

Femi Odugbemi photo

Multiple award winning Nigerian documentary filmmaker Femi Odugbemi is launching the first international documentary film festival in Nigeria called iREPRESENT (iREP).

The international documentary film festival initiated with the objective of promoting independent documentary features will now hold between January 20 and 23 at Terra Kulture on Tiamiyu Savage Street in Victoria Island Lagos and at the Lagos Business School also in Victoria Island, Lagos respectively.

iREPRESENT (iREP) was earlier scheduled to hold this December. So far about 10 renowned professional filmmakers have all agreed to be in Nigeria for the festival which also aims at promoting independent documentary features with emphasis on training and skill development to the benefit of the young, aspiring and practising film makers in Nigeria, especially for those with flair for Documentary films.

Some of the renowned professional filmmakers who have confirmed their participation include Jihan El-Tahri, producer of Behind the Rainbow, a documentary that has been programmed as the festival opening film; David Max Brown, producer of ‘The Manuscripts and Timbuktu’ directed by Zola Maseko from South Africa; Manthia Diawara, producer of ‘The Tropical House’ who is also giving the keynote address on the topic ‘Can Documentary Change the World’ and Mario Mabor, the Sudanese filmmaker who produced ‘The Rabbaba Man’. Others on the list of confirmed participants are Talal Afifi, a film festival organiser who is leading a team of three from Sudan; Director of Mnet’s Great African Series Akin Omotosho, Professor Awam Amkpa who will be leading discussions in the workshop and symposium sessions, Issraa El-Kogali, producer of ‘In Search of Hip Hop and Lydie Diakhate, director of Real Life Documentary Forum who will be leading the workshop session.

Attending from Nigeria will be Sandra Obiago who will be presenting a collection of films from Communicating for Change (CFC); Femi Odugbemi who will be presenting three of his critically acclaimed documentaries—Oriki, Ibadan and Bariga Boys and Professor Tunde Babawale, Director General of the Centre for Black and African Arts and Civilisation (CBAAC) who will be leading the team from CBAAC to present two films—Omo Alaketu and ‘Festac 77’ a UNESCO and Nigerian Television Authority (NTA) documentary film. The premier film institution, the National Film Institute will be presenting works by some of its students. The institute Governing Board Chairman who is also Managing Director of the Nigerian Film Corporation (NFC) Mr. Afolabi Adesanya, Fidelis Duker of the Abuja International Film Festival, Dr. Tunde Adegbola of the University of Ibadan, filmmaker Tunde Kelani and President of the Independent Television Producers Association of Nigeria (ITPAN) Mr. Busola Holloway have all confirmed their participation as lead speakers and discussant at the festival workshop and symposium.

The organizers also revealed that iREP 2010 will run as a 3-day event featuring paper presentations, screenings, networking, forums and workshops that will afford young filmmakers the opportunity to learn from industry veterans and build connections across the spectrum of creativity. According to them, each filmmaker will be expected to personally present their films and entertain questions from the audience, while also participating in the training and workshop sessions that have been scheduled to run in the course of the festival. The theme for the maiden edition of iREP is The Impact of Documentary Production in a developing Society/Economy and it will have such other sub topics like its cost effectiveness vis a viz Film & Television production, Shooting techniques and tricks, and Career advisory. The organizers say that the workshops and panel discussions that will follow aims at introducing young filmmakers to the many opportunities documentary production offers. ‘Hence at least 4 professionals, specializing in key departments of documentary film making have been invited to conduct workshops and clinics in the course of the three day event’ the statement added.

iREP International Documentary Film Festival was founded by a board of directors which include; Femi Odugbemi, producer, director, past President of ITPAN (Independent Television Producers Association of Nigeria) & CEO of DVWORX STUDIOS; Jahman Anikulapo, culture journalist and activist, Programmes Director of CORA (Committee for Relevant Art) & Project Director of Culture Advocates Caucus, (CAC); and, Makin Soyinka, culture activist, filmmaker and Director of The Lagos Film Office — all are operatives of the West African Documentary Film Forum, WADFF – with a mission to develop and nurture the talent of young filmmakers in Africa and internationally. The festival was also founded in recognition of the fact that that in spite of the high rate of debutants, many of whom lack appropriate knowledge in relevant departments of film making, there are still quite a good number of well-trained, talented and serious filmmakers in Nigeria who are willing and ready to work hard to reclaim the lost glory of the industry. ‘It is imperative that at this time in its socio-political history, Nigeria ought to stand up and be counted among the real filmmaking countries, not only in Africa but also in the entire world. The example of countries like South Africa, Burkina Faso and many of the North African countries should serve as inspiration in this regard’ Dapo Kolade, Festival Director of iREP 2010 said in a pre-event press statement.

-End-

For further informaton and interviews please contact – Femi Odugbemi- 08034251963

Champions of Our Time wins multiple awards

The multiple award winning Nigerian movie Champions of Our Time is the extraordinary story of two exceptionally brilliant young girls from opposing ends of the social spectrum. They both nurse ambitions of becoming the next winner of the prestigious St. Flairs Foundation Quiz Competition. However, their quest unravels a web of intrigue, high-stakes politiking, corruption in high places, and a culture of neglect and discrimination against the physically challenged amongst us. How far will the players go to achieve their dreams in the face of seemingly insurmountable odds? Find out in “CHAMPIONS OF OUR TIME”.

Champions-of-our-time

The movie starring top Nigerian movie stars Segun Arinze, Joke Silva-Jacob, Ngozi Ezeonu, Ejike Asiegbu, Ayo Adesanya, Paul Adams and Ejike Metu has won the Best Film awards at the following international film festivals:
Zafaa International Film Festival
Abuja International Film Festival.
Zuma International Film Festival.

It also won the Golden Mboni prize at the Lola Kenya Screen FestivalTerracotta Nigerian Film and TV Awards.

–Official Selection at the African Movies Academy Awards (AMAA 2010)

–Official Selection at Zanzibar International Film Festival.

–Official Selection at Deep Fried International Film Festival, U.K.

–Official Selection at Lucasfilm International Film Festival, Germany

–Official Selection at Lola Kenya Screen Festival.

Cast: — Segun Arinze, Joke Silva-Jacob, Ngozi Ezeonu, Ejike Asiegbu, Ayo Adesanya, Charles Inojie, (Introducing) Treasure Obasi and Feyisola Ewulomi, Paul Adams, Ejike Metu.

Crew:

DIRECTOR — Mak Kusare
PRODUCER — Chidi Nwokeabia & Emeka Enyiocha
D.O.P — Pindem Lot
SCREENPLAY — Chidi Nwokeabia
EDITOR — Eric Obinwa & Idi Nasiru
MUSIC — Muhammed Musulumi
EXECUTIVE PRODUCER — Macnuel Productions
ASSOCIATE DIRECTOR — Charles Inojie
CONTINUITY — Ikechukwu Omenaihe
MAKE-UP — Yemisi Ikotun
CUSTOMIER — Chioma Okafor
LOCATION — Macnuel Productions Ltd. & Simeone Owest

Champions of Our Time is now showing at the Silverbird Cinemas and other viewing centres in Nigeria.

Bridging the Gap: A Film Festival Unites the African Diaspora in New York

adiff

3 Dec 2010 22:26 Africa/Lagos

Bridging the Gap: A Film Festival Unites the African Diaspora in New York

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NEW YORK, Dec. 3, 2010 /PRNewswire-USNewswire/ — The African Diaspora International Film Festival kicks off its second week on Saturday, December 4. Set in New York City, the festival presents the diversity of the Black experience through a wide selection of thought provoking films and documentaries.

One hundred and six films make up the festival this year, with 25 US premieres and 39 New York premieres. Over the next two weeks, the African Diaspora International Film Festival (ADIFF) has partnered with local organizations and businesses to bring stories from around the world to the New York audience. Women, Latinos, dancers, lovers; the 2010 selection has a little bit of something for everyone. “ADIFF is a bridge,” say the Spechs, curators of ADIFF, “between diverse communities looking for works that cannot be found under the same roof in other festivals.”

Women Indies Night on December 4, sponsored by New York Women in Films and Television, will present four works about women by women. The selection includes a short fiction “Riches,” by this year’s resident filmmaker Ingrid Sinclair. The film depicts the story of Mollie, a single mother who escapes apartheid South Africa, to find herself rejected in her new home of Zimbabwe because of her progressive ideas. “Riches” is one of six works by the filmmaker showing this year at the festival.

Latin America is featured with “Chance,” a hilarious comedy from Panama, which premieres on December 5. “Chance” is the story of Tona and Paquita, the housekeepers for a bourgeois family. Tired of being mistreated, Tona and Paquita take their bosses hostage to get what they are due: seven weeks back pay.

The highlight of this second half is no doubt the William Greaves Fundraiser, scheduled for December 9. ADIFF will host the event at the Schomburg Center in Harlem in honor of the celebrated African-American independent filmmaker. The funds will go towards Greaves’ upcoming film “Once Upon a Time in Harlem” which explores the cultural life of Harlem. The evening will include never before seen footage of this work and a conversation with Greaves’ family and friends.

These are just a few of the events brought to you this year. The selection also includes “Sheherazade: Tell me a Story,” a drama which explores the sexual, social and political repression women face in Egyptian society, and “Josephine Baker: Black Diva in a White Man’s World.”

The African Diaspora International Film Festival runs from November 26 to December 14 in New York City. For information, contact ADIFF at (212) 864-1760/ fax (212) 316-6020 or e-mail media@nyadiff.org. Festival web site: www.nyadiff.org.

SOURCE African Diaspora International Film Festival

CONTACT: Lara Louise Telson, +1-212-864-1760, media@nyadiff.org
Web Site: http://www.nyadiff.org/